Tag Archives: Michael Coleman

New Monthly Jazz Series in North Oakland!

This is an especially exciting month because I have been given the opportunity to begin booking a monthly jazz series at the Actual Cafe. The first event will take place Sunday February 27th from 5-7:30pm. Check out the flier for details.

The premise of this series is to provide an all-ages music venue that is collectively produced and supported by the local Bay Area jazz community. My hope is to provide a much needed opportunity for young student musicians to experience and become a more active part of the local scene.

HOWEVER, the number of people that attend the first show will entirely determine whether this series exists at all. If (and only if) the first show goes well then the cafe will commit to a series most likely taking place on the 3rd Sunday of each month from 7-10pm.

SO, please mark your calendars, spread the word, and help us get this series off the ground!


Below is a more detailed description of my two primary goals for the series if it continues:

1) To create a situation where a community of local creative musicians (i.e you) makes a commitment to attend and support this series every month. Specifically I intend to have each month’s event curated by a different person. That person will be responsible for planning an entire evening of music however they see fit. As you probably know this is a model in use by The Stone in NYC, as well as a highly successful series in Seattle: http://racersessions.com/ (the racer sessions received a big write up in the New York Times last summer, and recordings from each week are now being officially archived at the University of Washington). I think the curator structure is an effective way to broaden the scope of activities and make this series more relevant for more people.

I should say that I do not by any means wish for this series to strictly adhere to presenting “jazz” performances. This is merely a starting point as a way to sell the series to the management and general public. My impression is that as long as there is an established audience, it will be fairly easy to transition to more diverse programming.

2) To create an all-ages music series that seeks to connect with and involve high school/college age musicians. I rarely perform in venues that are accessible for anyone under 21. This is problematic because there are a lot of talented young people who could benefit from being exposed to music happening in the area. It would also be great if young musicians could have the opportunity to perform for an audience of older musicians. For those of you that are teachers, and are connected with the schools; you would be an excellent resource for achieving this goal.


Please leave comments and/or feel free to contact me directly if you are interested in helping. As always, thanks for reading!

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Introducing the Lawson ensemble

Lawson is a name that I have used to represent a diverse body of work and activities that I have engaged myself with over the last year and a half. The prime unifying element of all Lawson-based projects is the use of a specific system of pitch networks. Other Lawson projects include a duo with guitarist Jameson Swanagon, a series of pieces for solo saxophone, as well as a large ensemble (currently an octet) of electronic and acoustic sustaining instruments. The topic of this post will be on the recent developments of the large ensemble.

LawsonEnsembleatLuggage Store

4.22.10 at the Luggage Store (taken by Michael Zelner)

Current members of the group include: Jacob Zimmerman (alto sax), Drew Ceccato (tenor sax, clarinet, flute), Matt Nelson (tenor sax), Cory Wright (bari sax), Rob Ewing (trombone), Michael Coleman (keyboard), Dan VanHassel (keyboard), Dan Good (electronics, trumpet)

Here are some recordings from our performance at the Uptown on April 13th, opening for the Oakland Active Orchestra:

Trail Loops Improvisation

32d (Counterpoint Study)

Contour Improvisation

The newly formed “Lawson” ensemble performs original music inspired by the rich cultural heritage of the Lawsonite people. In performance the ensemble collectively improvises varying textures of complex, slowly shifting counterpoint.  Through the use of pre-composed material, improvisation, and a specific vocabulary of conducting cues the performers actively engage in the discovery of new formations of melody and phrasing, with an emphasis on shapes and contours.  Notable influences for the project include Karlheinz Stockhausen’s opera music, Bill Frisell, Sun Ra, Anthony Braxton, and the improvisations of Lee Konitz and the “Tristano School.”

Notes on Lawson:

The contemporary people of Lawson are the descendants of an ancient civilization. For many generations the ancient Lawsonites lived at sea in ships, traveling and exploring the seemingly endless reaches of the ocean. They are believed to have had an acute instinctual awareness of direction, and never laid anchor anywhere, constantly sailing or drifting and only coming to land for supplies and repairs. The Lawsonites lived in tribes, each characterized by unique methods of shipbuilding and navigation techniques. Despite these distinctions, different tribes were thought to be friendly with each other, and would often travel together, although they would never follow the exact same routes.

After many ages of life at sea the Lawsonites suddenly decided to abandon their ships and leave the ocean. After traveling a great distance east over the Stawnee Mountain Range they came to inhabit their current location. While it has been forgotten exactly why the Lawsonites left, many believe a large oceanic storm decimated the majority of the population, and the few remaining people chose to leave the ocean forever. The descendants of these people have never seen the ocean.

Just like their ancestors, the modern-day Lawsonites continually move throughout the Northern region, only stopping out of necessity. The routes of the various Lawson tribes overlap, generally occupying the same territory, but each tribe has its own unique system of trails known only to that particular group. Some tribes prefer higher altitudes, while others favor terrain near sea level. Still, different tribes continue to travel together on occasion, in part as a celebration of the diversity of trails that the Lawsonites have created. The purpose of their constant movement is not to discover new regions or lands, but rather to find new ways of moving through the same region.

The Lawsonites have great reverence for their ancestors. Each tribe is known for its unique songs that are believed to date back to when their ancestors lived at sea. Some are curious as to whether or not there are still some tribes living at sea today. But they will most likely never know, as it is not in the nature of the Lawsonites to leave a region unless it is an issue of survival.


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